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作为一种传统的设计制作方式,手工艺通常被认为代表了手工业时代的设计观念.它的产品大多是独一无二或小批量的,充分考虑到各种需要以满足时代、民族、不同社会阶层和群体以及个人的趣味.进入20世纪以来,设计与工业生产体系和经济增长的联系日益紧密,以致工业生产越来越象是促进经济发展的工具;密斯“少就是多”的口号,形象地概括了现代设计的立场:用最精炼的结构,去发挥最大的使用功能.以大批量生产为基础,以功能追求为特征的现代主义在设计领域里占据了霸主的地位,小批量生产的手工艺一度被送进博物馆而束之高阁.
As a traditional design and production method, handcraft is generally considered to represent the design concept of the handicraft era.Its products are mostly unique or small batch, taking full account of various needs to meet the times, ethnic groups, different social classes and groups and Personal interest.From the 20th century, the relationship between design and industrial production system and economic growth has become increasingly close, so that industrial production is more and more like a tool to promote economic development. Smith’s slogan of “less is more” vividly summarizes the modern Design stance: use the most refined structure, to maximize the use of functions.Made in mass production as the basis, the pursuit of features of modernism occupy the dominant position in the design field, small batch production of handicrafts was once sent Into the museum and shelved.