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著名旅美女作家严歌苓的作品近年来受到国内外学者的广泛关注,《第九个寡妇》是严歌苓的代表作之一,出版以来引发了学界的很多关注。学者们大多从女性主义、新历史主义等视角对其进行分析,研究成果颇丰。本文试从原型批评的角度出发,阐述了“大母神原型”、“土地神原型”分别在小说主人公王葡萄和书中出现的一批侏儒形象身上的体现,旨在通过对小说中这类神话原型的解读,让读者对这篇小说中的神话原型内涵有一定的认识。
In recent years, the works of renowned travel beauty writer Yan Geling have drawn wide attention from scholars both at home and abroad. The “Ninth Widow” is one of the masterpieces of Yan Geling and has aroused much attention of the academic circles since its publication. Most scholars analyze it from the perspectives of feminism and neo-historicism, and the research results are quite good. This article attempts to demonstrate from the point of view of prototype criticism that “the prototype of the Mother God”, “the Prototype of the Land God” reflected in the figures of the gnomes appearing in the primary grape king and the book respectively, The interpretation of such mythical prototypes in novels provides readers with a certain understanding of the mythological connotation in this novel.