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但凡涉猎艺术史均无法回避一个问题的客观存在,为何提及“传统”能让人联想到“繁”“杂”“多”“艳”诸类关键词,而“现代”则是与“简”“约”“高效”这些关键词联系在一起。不同时代的艺术因何以呈现出不同的面貌、其根源为何、有无内在联系等问题颇具探讨价值,尤其是“古代的繁”与“现代的简”两者是否具有内在关联。以传统审美观中的“华贵”“繁复”与现代主义艺术中的“简约”为探讨对象,特撰文对这两种不同审美观念的潜在逻辑性进行浅析。
Whenever the art history can not evade the objective existence of a problem, why the reference to “traditional” can remind us of the keywords such as “complicated”, “complicated”, “more”, “brilliant” , While “Modern ” is associated with the keywords “Jane ” “About ” “Efficient ”. Why does the art of different ages present different appearances? The root causes and the problems of whether there is any internal connection are quite worth exploring. Especially, is there an inherent relationship between “ancient” and “modern”? Taking the “Hua Gui ” “Complex ” in the traditional aesthetic view as the object of study as “simplicity ” in the modernist art, special essay analyzes the potential logic of these two different aesthetic concepts.