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帖学在历史演变进程中,到明代已明显出现走下坡路的趋势,至清代则呈现出衰退不振的格局,清代书法由于帝王的喜好,书法风尚不归于董既归于赵,“康、雍之世,专仿香光;乾隆之代,竟讲子昂”。由于“二王”法帖真迹传世极少,阁帖又辗转失真,所以书家们都通过反复摹刻的阁帖学习书法,帖学每况愈下,加之馆阁体的书风愈演愈烈,帖学呈现出衰微的局面。清末,碑学的大兴,愈发使得千年的帖学处于衰靡状态。就当帖学陷入困境,面临传承中断的危机之时,沈尹默高高举起了帖学的大旗,并提出了学习二王法帖的一套科学合理的理论体系。自此帖学呈现出复兴的势头,在沈尹默之后又有一大批书法家致力于帖学。直至今日,帖学的势头明显压过碑学,成为当今书法的主流,形成了“新帖学”热。
In the course of historical development, the trend of postgraduate study obviously showed a downward trend in the Ming Dynasty. By the Qing dynasty, there was a pattern of recession. The etiquette of the calligraphy in the Qing Dynasty did not belong to Dong ascribed to Zhao, Yong of the world, special imitation of light; Qianlong’s generation, actually Lecture Ang “. Because ”two kings " Fatshells very few handed down, the cabinet posts and distorted, so the bookmakers are through the copy of the calligraphy and calligraphy learning, calligraphy worse, coupled with Pavilion style book writing intensified, posts show Decline in the situation. In the late Qing Dynasty, Daxing, a monumental study, made the postgraduate of the millennium a decadent state of affairs. When Studying was in trouble and facing the crisis of inheritance and interruption, Shen Yimmer held the banner of Studying and put forward a set of scientific and rational theoretical system to learn the two kings and Buddhists. Since then, post-graduate studies have shown the momentum of rejuvenation. There are a large number of calligraphers devoted to post-graduate studies after Shen Yinmo. Until today, the trend of post-graduate studies has obviously undermined the study of beings and become the mainstream of today’s calligraphy, forming a hot new post.