在美学和文艺理论批评史上,没有哪一个概念能象“形式”这样被广泛地运用,也没有哪一个概念能象它这样具有更大的模糊性。目前学界似乎已经觉悟到重新界定这一概念的必要,于是,或从直观感受出发对其进行新阐释,或从词源学的角度考察它的历史。不可否认,这对于廓清形式概念的内涵,乃至最终构建以“形式”为主要研究对象 In the history of the criticism of the theory of aesthetics and literary theory, no concept can be widely used as a “form,” and no concept can have as much ambiguity as it does. At present, the academic circles seem to have realized that it is necessary to redefine this concept, either from the perspective of intuition or from the etymological point of view of its history. Admittedly, this is of great significance to clarifying the connotation of the concept of formal form, and finally to building “form” as the main research object