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20世纪前后,建筑新潮风云变幻,高迪凭借直觉进行了一种风格和技术上的建筑探险,通过控制建筑的本源,将建筑自身引入另外一种有活力的建筑表达体系,从而进入了高迪世界。这是高迪现象,同时也成为了一种历史现象。长久以来,人们对高迪及其作品的认识存在重大误区,而历史能弥合真实与认识偏差的裂缝。我们必须重回那段历史的研究,在为高迪曾经遭到的冷遇与目前的声名显赫找到一些解释的同时,或许还能得出一些与传统建筑史论文献不同的结论,至少我们可以提出有力的质疑:是谁打响了欧洲现代建筑的第一枪?
Around the turn of the twentieth century, architectural trends were changing and Gaudít instinctively instituted a style and technical architectural adventure that drove the building itself into another viable building expression system by controlling the origin of the building, world. This is Gaudí's phenomenon and has also become a historical phenomenon. For a long time, there has been a serious misunderstanding of Gaudi and his works, and history can bridge the gap between reality and understanding. We must return to that period of historical research. While finding some explanation for Gaudí's cold reception and the current prestigious reputation, we may also come to some conclusions that are different from those of the traditional architectural history literature. At least we can propose powerful Question: Who fired the first shot of modern architecture in Europe?