当下,中国画家纷纷思考如何返回到母语的体系上重新定位自己的创作,寻找中国当代艺术鲜活的生命力。本文通过对中国画家戴少龙的写意重彩画的解析,从造型、构图、笔墨和色彩等方面感受其作品中清晰的“本土气息”和“当代意识”。 Nowadays, Chinese painters have pondered how to return to the system of their native language to reposition their own creations and look for the fresh vitality of Chinese contemporary art. Through the analysis of the freehand painting by Chinese artist Dai Shaolong, this essay expresses the clear “local flavor ” and “contemporary consciousness ” in his works from the aspects of shape, composition, ink and color.