中国的书法与绘画都是以笔墨为核心,黄宾虹的“引书入画”不仅阐释了二者在笔墨关系上的内在联系,更是将笔墨的内涵提升到了民族艺术精神的层面。在文化品质或精神指向上,中国的绘画和书法是高度契合的,笔墨不只是表面层次的技术和技法,而是具有了更深层次的民族精神底蕴。 Both Chinese calligraphy and painting take pen and ink as the core, and Huang Binhong’s “Drawing and Drawing Into Painting” not only explains the intrinsic relationship between the two in the relationship between pen and ink, but also elevates the connotation of pen and ink to the level of national art spirit. In terms of cultural quality or spiritual orientation, Chinese painting and calligraphy are highly compatible. Pen and ink are not only superficial techniques and techniques, but also have a deeper level of national spirit.