技法阐释一幅“深山藏古寺”的美术画,却只有山路蜿蜒而下,一老僧提桶于泉边汲水,压根儿没见古寺的踪影。如此之作,在宋徽宗时竟一举夺魁。其构思之妙就在古寺藏而不露,已被老僧汲水间接表现得淋漓尽致。传统美术把这种不直接落笔,而着意从旁渲染的手法称为“烘云托月”犹如以水墨淡彩渲染浮云,能给人以皎月高悬、清辉四溢的印象一样,间接描绘的“烘云托月之法能使主体形象更加鲜明突出。画理通于文理。写人记事 Techniques to explain a ”deep Tibetan temple “ art painting, but only the winding down the mountain, an old monk pail buckets in the spring water, never to see the traces of ancient temples. So, actually won the first prize in the Huizong Song. The idea of ​​the wonderful hidden in the temple without revealing, has been directly expressed by the monk Shui Shui most vividly. Traditional art does not directly take this pen, but deliberately rendering from the approach known as ”cloud-bound moon “ as if the ink color rendering cloud, can give people the impression of the moon hanging, Indirectly depicted ”cloud of cloud and moon method can make the main image more prominent.