20世纪50年代后期,中国动画快速发展,艺术创造者们怀着“越民族越国际”的理念,对中国传统进行改编并融入到动画中,比如民间画、剪纸、彩绘壁画、水墨画等。其中水墨画更好地体现了中国特色,中华民族的民族意识和审美情趣,具有鲜明的民族文化特征。把中国水墨画的典雅和影视动画的趣味相结合,形成了具有中国特色的艺术风格,开拓了动画影视新的领域。 In the late 1950s, Chinese animation developed rapidly and art creators adapted Chinese traditions into animations such as folk paintings, paper-cuts, painted murals, ink paintings, etc. with the concept of “more nationality and more international” . Among them, the ink-and-wash painting embodies the Chinese characteristics, the national consciousness and the aesthetic taste of the Chinese people better, and has distinctive ethnic and cultural features. The combination of the elegance of Chinese ink painting and the interest of film and television animation has formed an artistic style with Chinese characteristics and opened up new fields of animation and film.