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文章探讨了将城市建筑作为城市社区的自然精神的体现。早期人类通过在自然景观中迁徙、对其占用,以及运用身边的自然材料搭建住所,将自然景观转变为文化景观。从这时开始,城市就具有了一种自然生长的本质特征,这一特征在古典时期和中世纪时期的城市中均得到了体现。这些城市表现出一种自然景观、自发构成的城市和社区文化之间的紧密联系。在文艺复兴时期,“理想城市”的影响催生了经由规划形成的大型城市。这些城市的设计呈几何形状,呈现出种人工的、受到控制的环境。通过限制本土传统的表达,南美洲西班牙殖民地的巴洛克城市主义也反映出一种欧洲化的生活方式的影响。巴西“食人主义运动”提出了通过有意识地“吞食”其他文化来形成一种独特的、结合了地方文化和场所的建筑认同。这种“挪用的建筑”恰恰代表了对新殖民依赖性的完全克服。
The article explores the urban architecture as a manifestation of the natural spirit of the urban community. Early humans transformed natural landscapes into cultural landscapes by migrating in natural landscapes, occupying them and using their natural materials to build shelter. From this moment on, the city possesses an essential characteristic of natural growth, which is reflected in both the classical and medieval cities. These cities show a close relationship between the natural landscape and spontaneously formed cities and community cultures. During the Renaissance, the influence of “ideal city ” gave birth to large cities formed through planning. The design of these cities is geometrically shaped, presenting a man-made, controlled environment. Baroque urbanism in the Spanish colonies of South America also reflects the influence of a Europeanized lifestyle by limiting the expression of indigenous traditions. Brazil’s “Cannibal Movement” proposes a unique architectural identity that combines local cultures and places through consciously “devouring” other cultures. This “misappropriated building” precisely represents a complete overcoming of the neocolonial dependency.