作为“现代书法”创作群体的重要作者之一,邵岩“书法创作”的载体仍然是汉字。但汉字在邵岩的笔下已难具可识性,这种“难识”不同于草书、篆书的难识。草、篆书有其约定俗成的书写规律,要合乎“草法”、“篆法”。邵岩的创作与其说是汉字的书写,勿宁说是其心中意象的物化。在他的作品中,人们看到的是笔墨的韵律、构成的画意,看到的是一幅抽象的平面艺术——不是绘画,也难称书法。只有当邵岩告诉这是哪个“字”时,你才恍然大悟并找到了邵岩所写的该“字”的蛛丝马迹,你不禁佩服邵岩的想像力与变形功夫。最让你无话可说的 As one of the important writers of “modern calligraphy” creation group, the carrier of Shao Yan “calligraphy creation ” is still the Chinese character. However, the characters in Shao Yan’s pen has been difficult to understand, this “difficult to understand ” is different from the cursive script, the hard seal of the seal. Grass, seal script has its usual rules of writing, to comply with “grass ”, “seal law ”. Shao Yan’s creation is not so much the writing of Chinese characters, rather than the materialization of the images in his heart. In his works, what people see is the rhythm of the ink and brush, what they form, and what they see is an abstract plane art - not a painting but also a calligraphy. Only when Shao-yan tells you which word is, can you suddenly realize and find the clues written by Shao Yan that you can not help but admire Shao Yan’s imagination and metamorphosis. Most let you have nothing to say