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20世纪90年代,翟永明通过自己的探寻逐步走出80年的女性诗歌,实现自身创造力的突破与风格的转型,由自白话语下对女性内心世界的审视与探寻,转向叙事性话语下对社会现实生活的观照和对传统历史文化的反思。本文通过对其诗歌《轻伤的人,重伤的城市》的文本细读,试图探究翟永明在世纪末的节点通过诗的语言表达对这个时代的思考和对现代性的反思。
In the 90s of the 20th century, Zhai Yongming gradually stepped out of 80 years of female poetry through his own exploration to achieve breakthrough and style transformation of his own creativity. From the perspective and exploration of the inner world of women under the confession of speech, he turned to narrative discourse Reflection of real life and reflection on traditional history and culture. This essay tries to explore the thinking of Zhai Yongming at the end of the century at the end of the century through the language expression of poetry and the reflection on modernity through a careful reading of the text of his poem “Cities with minor injuries”.