当下的文学,在整体上形成了持续活跃与异常繁荣的景象,但事实上又存有“繁而不荣,多而不精”的深深隐忧。我从2003年起主持《中国文情报告》项目,十年来跟踪当代文坛的最大感受是,文学与文坛经过上世纪90年代商业大潮的冲击,以及新世纪以来网络科技的搅动,已与过去的面目大不相同,甚至发生了结构性的异动。我曾经用“三分天下”描述这种格局演变,那就是以文学期刊为阵地的传统型 The current literature, on the whole, has formed a scene of sustained activity and abnormal prosperity, but in fact there are deep hidden worries of “prosperity without honor, richness without essence”. I have been hosting “China's Literary Report” project since 2003. The biggest feeling I have in tracking the contemporary literary world over the past decade is that after the impact of the commercial tide in the 1990s and literature and the literary circles as well as the agitation of the Internet technology in the new century, The face is very different, and even a structural change occurred. I have used “one-third of the world ” to describe the evolution of this pattern, that is, literary journals for the traditional position