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一、非文人笔墨 实验水墨画与新文人画最直观的不同在笔墨,简言之,可称为非文人笔墨。 文人笔墨,指传统文人画确立的笔墨规范,它有两大支柱:(1)书法用笔。它强调“写”,强调“书画同法”,强调中锋为本和以线立骨,用笔强调一波三折、逆入平出、藏头护尾等书法规范,在强调力度时,重点强调的是线的力度,如:锥画沙、虫蚀木、屋漏痕、折钗股、万毫齐力,积点成线等。(2)程式化。《芥子园画传》可以视为文入画图像程式的总汇。这套程式符号的实质是将造型归纳为类字符,以便于发挥书法用笔。 因此造型程式是为笔墨程式服务的,程式化是为书法用笔服务的。文入画程式规范的核心即书法用笔系统的笔墨规范。
First, non-literati ink experiments Ink painting and the new literati painting the most intuitive difference in the pen and ink, in short, can be called non-literati ink. Literati, refers to the traditional literati painting and calligraphy norms established, it has two pillars: (1) calligraphy pen. It emphasizes “writing”, emphasizing “calligraphy and painting with the law”, emphasizing the center and the line of standing, emphasizing twists and turns with the pen, inverted flat, possession of tail guard and other calligraphy norms, in emphasizing the intensity, the emphasis is Line of force, such as: Cone painting sand, worm wood, housing leakage marks, discount hairpin shares, million millisecond, plot points into the line. (2) stylized. “Mustard Garden Biography” can be viewed as a text-in-picture program. The essence of this set of symbols is the induction of styling into characters in order to give play to the calligraphy pen. Therefore, styling program is for pen and ink program service, styling is for pen writing service. Text into the program code that is the core of calligraphy pen system specification.