人生与人死皆不可违背。生死两界在艺术遗产中留下了许多值得思考的生命话题。中国的丧葬文化遵循“死事若生事”的主旨,形成了独特的墓葬艺术的表现形制,树碑立传既是活人对逝者的盖棺论定,也是文化传承之垂范,而这些无不在地下得到保存和反映。由于历史上的诸多原因,我国地上的遗存大半被毁,地下反而相对完整地为我们留下了一笔难得的艺术遗产,弥足珍贵。 Life and death can not be violated. The two circles of life and death left many worthy topics of life in the artistic heritage. The funeral culture in China has followed the principle of “making a living if incapacitated” to form a unique representation of the burial art. The creation of a tree monument is both a coffin of the living person to the deceased and an example of cultural inheritance, which are preserved in the ground and underground reflect. Due to many reasons in history, most of the remains on the ground of our country were destroyed. Instead, the underground has left a relatively intact artistic heritage for us, which is quite precious.