“美情”是中华美学源远流长的思想传统与精神特质之一。它与西方经典美学的“粹情”构成了两种不同的理论向度和学理品格。“美情”作为对“常情”的诗性建构与审美创化,集中聚焦为真善美贯通、创美审美统一等核心美学精神,具体呈现为挚、慧、大、趣等美质特征,也凸显了审美活动的人学向度。对民族美学“美情”思想的梳理研究和“美情”理论的自觉建设,是推动中华美学精神当代传承弘扬的重要课题之一,也是中华美学贡献于世界美学和人类精神宝库的重要财富之一。 “Beauty” is one of the traditional and spiritual qualities of Chinese aesthetics that goes back to ancient times. It constitutes two different theoretical dimensions and academic qualities with western classical aesthetics. As a poetic construction and aesthetic creation of “common sense ”, “beauty ” focuses on the core aesthetics, such as beauty, beauty and beauty, aesthetic unity and so on. Characteristics, but also highlights the aesthetic degree of human activities. It is one of the important topics to promote the contemporary inheritance and development of Chinese aesthetics and the contribution of Chinese aesthetics to the world aesthetics and human spiritual treasure trove. One of the important wealth.