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在上世纪30年代初,张荫麟是继梁启超书法美学研究之后的又一位书法理论大家。他以《中国书艺批评学序》一文奠定了其在书法美学研究中的突出地位。该文发表在1931年《大公报·文学副刊》,连载于171-174期,文章不仅对书法美学的核心问题作了专题性的研究,而且研究的高度和深度在民国时人中鲜有比肩者。由于该文一直为当代书法界学人所忽视,其理论意义和价值也未得到深层次的挖掘。在这篇
In the early 1930s, Zhang Yinlin was another calligrapher after Liang Qichao’s calligraphic aesthetic studies. He laid a prominent position in the study of aesthetics of calligraphy with the article “Order of Chinese Calligraphy Criticism”. This article was published in Taichi Pao Literary Supplement in 1931 and is serialized in the period of 171-174. The article not only made a special study on the core issue of calligraphy aesthetics, but also studied the depth and depth of the calligraphy aesthetically. . Since this essay has been neglected by scholars in contemporary calligraphy circles, its theoretical significance and value have not been deeply explored. In this article