无论是文学本体研究模式,还是以反对这种本体研究姿态出现的接受理论都坚持这样的信条:现代文学批评进入了一个“作家已经死去”的时代。西方的学术界似乎不再相信,了解作家的创作意图会给理解他的作 Both the literary ontology research mode and the acceptance theory on the opposition of this ontological research adhere to the belief that modern literary criticism has entered a time when “the writer is already dead”. Western academics seem to no longer believe that understanding the author’s creative intent will give him an understanding of his work