本文试图用比较文学形象学的理论和方法,考察近代来华传教士笔下的中国形象,他们在社会集体想象的基础上,再根据历史现实、自己的虚构和需要,把中国塑造成一个黑暗、贫穷、停滞、愚昧的形象。本文试图从“言说者”和“他者”的互动关系的角度分析此形象的丰富意蕴。 This article tries to use the theories and methods of comparative literature imagination to examine the Chinese images of modern Chinese missionaries. On the basis of social collective imagination, based on historical realities, their own fiction and needs, they try to mold China into a dark, Poverty, stagnation, ignorance of the image. This article attempts to analyze the richness of this image from the perspective of the interactive relationship between “speaker” and “other”.