一、作品背景中国戏曲发展过程充满波折,历经了宋元时期的兴盛到明前期的衰落,再到明末清初重新繁荣兴盛的过程。在戏曲从衰落到再次繁荣这一转折时期,徐渭的剧作和戏剧观念开风气之先,影响了明后期一系列剧作家的创作和理论。《歌代啸》是徐渭“晴空之霆击,清夜之钟鸣”[1]。作者并没有横眉冷对直指社会的不堪,而是用戏谑的、寓言式的手法,以笑当哭,凭歌代啸。二、创作动因2013年5月,我在上海戏剧学院黑匣 First, the background of the work The development of Chinese opera full of twists and turns, after the prosperity of the Song and Yuan Dynasties to the decline of the early Ming, and then to the process of re-prosperity and prosperity of the late Ming and early Qing Dynasty. In the turning point of the drama from decline to prosperity again, Xu Wei’s operas and dramatis concepts opened the door to atmosphere and influenced a series of dramatists’ creation and theory in the late Ming Dynasty. “Song of Generation” is Xu Wei “Clear sky of the sky, night of the bell ” [1]. The author is not cold-browed against the society, but with a joking, allegory-like approach to laugh as a cry, with a song on behalf of Xiao. Second, creative motivation May 2013, I was in the black box of the Shanghai Theater Academy