童晓薇老师是我熟悉的一位女学者,得到她的《日本影响下的创造社文学之路》(社会科学文献出版社2011年版)后,马上读了起来。研究创造社的著述可谓不少,对创造社与日本文化文学关系比较研究的书也不断面世,可见是备受关注的题目,为此也就难写。我读这本新书,越发感到有种娓娓道来,邀你对话的情趣,在细细品味中我体悟了许多。这不正是阅读的乐趣和比较文学的魅力所在吗?讲述过去,评价前人,是以今人的视点进行一场时空连线。如何尽可能立体地、全方位地把事件置于那个动态的网络之中,让读者也动起来,做一场穿越时空的探寻,是精神上的愉悦。作为邀请者的童晓薇在本书的第一章和第二章一下子把人们带到风雨如磐的半封建半殖民地的中国,接着犹如特写镜头,推出了一 Teacher Tong Xiaowei is a female academician who is familiar with me. After getting her “The Road to Creation Society Literature under the Influence of Japan” (Social Science Academic Press, 2011), she read it immediately. There are a lot of books on researching and creating society, and a book on the comparative study of the relations between the creation society and Japanese culture and literature has been published. This shows that it is a subject of great concern and hard-to-write. I read this new book, more and more feel a kind of his right to invite you to talk to the taste, in savor I realized a lot. Is not this the pleasure of reading and the appeal of comparative literature? To tell the past, to evaluate our predecessors is to make a connection between space and time based on the present viewpoint. How to put the events in the dynamic network as much as possible in a three-dimensional and all-round way so that the readers can move up and do a search through time and space is a spiritual pleasure. Tong Xiaowei, as an inviter, took the first and second chapters of the book and brought people to the stormy semi-feudal and semi-colonial China, followed by a close-up