《李大爹学文化》、《支前》、《两个老社員》、《一千斤》:云南人民艺术剧院花灯剧团演出,该团舞台美术组設計。图中主要部分是用两根竹竿撑起一輻横条;下面的挡板,用仿蓝印花布田案装飾,这是一组小戏共用的背景。天幕上的图景則根据下同剧目加以变换,用灯光投影。如演《李大爹学文化》,后景是太阳和小山:如演反映越南人民生活的《支前》,則出現二三栎椰子树。全景朴素清新,在各种舞古上都可装置。《打銅鑼》:湖南省花鼓戏剧院演出,舞台設計黄凡。舞台正中的毛竹和竹梢上的芭蕉扇,是南方农村有代表性的景物,构图简炼,而且用当丰牧在望时要防止鳥雀贪食的意思暗示了主題。竹节弯处要用铅絲固定,以便蔡九最后把銅鑼和箩 “Lee Daddy learn culture”, “support”, “two veteran members”, “one thousand catties”: Yunnan People’s Art Theater lantern troupe performances, the regiment stage art group design. The main part of the picture is to use a two bamboo poles to prop up a spokes; the baffle underneath, decorated with a field of imitation blue printed cloth, is a common set of scenes for small plays. The picture on the sky is transformed according to the following repertoire, projected with light. As the performance of “Lee Daddy learn culture”, the backstage is the sun and the hills: as reflected in the life of Vietnamese people “support”, there are two or three oak coconut trees. Simple and fresh panorama, can be installed in a variety of dance on the ancient. “Hit the gongs”: Hunan Province Flower Drum Theater performances, stage design Huang Fan. The middle stage of the bamboo and bamboo shoots on the banana fan, is a representative of the rural southern landscape, composition, concise, but also with the abundance of animal husbandry in the hope to prevent the meaning of bulimia, suggesting the theme. Bamboo bend at the lead wire to be fixed, so that the last nine Cai Gong gong and 箩