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编者按:“大众美术”和美术的“大众化”是叙述新中国美术六十年发展历史的重要关键词,也是审视这段历史的两个特殊线索。包括年画、连环画、宣传画等在内的大众美术是在中国特定的社会现实和历史情境下发展起来的画种,因此其审美特征和审美功能都具有鲜明的时代性。“年连宣”不仅解决了新中国成立后美术的普及问题,也是建国前期开展革命和鼓舞生产最直接的宣传手段。美术的“大众化”则既是政治影响艺术发展的结果,也体现了新中国成立以后一段时期内的文艺发展路线。毛泽东《在延安文艺座谈会上的讲话》明确地提出“革命文艺是从属于政治的”以及“文学艺术都是为人民大众的”。另外,美术的
Editor’s note: Popular art and popular art are two key words that describe the history of the development of the new Chinese art for 60 years and are two special clues for examining this period of history. The popular art including New Year pictures, comic books and posters is a kind of paintings developed under the specific social reality and historical circumstances in China. Therefore, its aesthetic characteristics and aesthetic functions have distinct characteristics of the times. “Even Xuanzuan ” not only solved the popularization of art after the founding of New China, but also the most direct means of propaganda for carrying out revolution and encouraging production in the early days of the founding of New China. The “popularization” of art is not only the result of political influence on the development of the arts, but also the line of development of literature and art in the period after the founding of new China. Mao Zedong’s “Speech at Yan’an Literature and Art Symposium” made it clear that “revolutionary literature and art are subordinate to politics” and “literary and artistic arts are all for the people.” In addition, art