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灵韵是西方文艺理论家本雅明提出的一个概念,用以描述前资本主义时期传统艺术的审美特征。它表征着传统社会人类的感知方式。意境是中国美学中的一个重要范畴,是中国特色美学体系中能集中体现中国文化高妙底蕴的核心理论。灵韵与意境既有相同之处,也有相异之处。相同在于物我的相融相生,都强调和谐的诗意境界。不同在于灵韵受西方美学主客两分的思想影响,更侧重于客体的现实性,而意境受天人合一的美学思想更侧重于主客体的情景交融,是一种中和之美。
Lingyun is a concept proposed by Benjamin, a Western literary theorist, to describe the aesthetic characteristics of traditional art in the pre-capitalist period. It represents the way of perception of human beings in traditional society. Artistic conception is an important category in Chinese aesthetics and is a core theory that can fully reflect the profound Chinese culture in the aesthetic system with Chinese characteristics. There are similarities and differences between the rhyme and the mood. The same thing is that my life and harmony, emphasize the harmonious poetic realm. The difference lies in that Lingyun is influenced by the dichotomy of subject and object in western aesthetics, and focuses more on the reality of the object. The aesthetic idea whose mood is subject to the unity of nature and man is more focused on the blending of the subject and the object and is a neutralization beauty.