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1982年3月党中央批准中国美术家协会《关于在全国重点城市开展雕塑建设的建议》,城市雕塑的概念得以确定,得到社会的认可并飞速发展。由于我国历史上缺乏开放性的城市文化传统,这一特征决定了我国当代城市雕塑更需要强化“公共性”。同时城市雕塑特有的“次艺术性”性质,使得我们在强调公共性时忽略了作为艺术的雕塑本身的艺术性,而产生了一系列的垃圾城市雕塑。
In March 1982, the Central Party Committee approved the “Proposal on Sculptures Construction in Key Cities in China” approved by the Chinese Artists Association. The concept of urban sculpture was confirmed and society recognized and rapidly developed. Due to the lack of an open urban culture tradition in our country’s history, this characteristic determines that the contemporary urban sculpture in our country needs strengthening “publicity”. At the same time, the unique “sub-artistic ” nature of urban sculpture makes us neglect the artistic nature of the sculpture as an art while emphasizing the publicity, and produce a series of garbage city sculptures.