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从1956年“双百”方针提出到1966年“文革”发动前这一时期,本文称其为中国乡土电影的国家时代,“国家”成为中国乡土电影创作的主导元素。国家时代的乡土电影无论是在民族形式和民族风格的美学追求上,还是在反映和揭示生活的广度与深度上,都反映了新生共和国清新刚健的国家精神,涌现了一批至今不失其艺术和文化价值的经典作品。本文仅从政策背景、题材内容和形态特征三个方面,就国家时代的乡土电影试加分析。
From the policy of “double hundred” proposed in 1956 to the period before 1966 “Cultural Revolution”, this article calls it the national era of Chinese local film and the “national” as the dominant element of Chinese local film creation. The native films in the country era reflect the national spirit of the nascent republic with a fresh and healthy state both in the aesthetic pursuit of the national form and the national style or in the breadth and depth of reflecting and revealing the life. And cultural values of classic works. This article only tries to analyze the native cinema in the national era from three aspects: the policy background, the subject matter and the morphological characteristics.