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《长生殿》的戏剧结构在前代传奇创作和理论积累的基础上,实现了较强的整体性。作者遵循“一人一事”的准则,以“情悔”为主导思想,通过人物的向心力、事件的吸附力和多种组织结构手法的运用,将爱情与忠情、情与悔、天上与人间、宫廷与民间各个层次组织成一个有机自足的整体,反映出传统戏曲中“剧”意识的增强。
The structure of the theater of “Eternal Youth Hall” has achieved a strong integrity on the basis of the legendary creation and theoretical accumulation of the previous generation. The author follows the principle of “one person and one thing” and takes “love regret ” as the dominant ideology. By means of the centripetal force of the characters, the attraction of the events and the application of various organizational structures and techniques, the author puts love and loyalty, love and regret, The unity of the sky, the earth, the court and the people at all levels into an organic self-contained whole reflects the increased awareness of “drama” in traditional Chinese operas.