新诗是在与旧诗的斗争中获得其生存位置的,加之现代汉语与古典汉语差异明显,因而再从传统汉诗中汲取格律要素一时尚难考虑,于是格律探索者自然而然地面向英、法等西洋诗律寻求借鉴,这种情况直到林庚才有所改变。在新诗格律的众多研求者中,林庚无疑是最为勤勉的一位,从30年代中期到50年代末他所涉及新诗形式的论文将近20篇,讨论问题既深入又细致。他的探 The new poetry obtains its position of survival in the struggle against the old poem, and the obvious difference between the modern Chinese and the classical Chinese. Therefore, it is difficult to draw a clear element of the law from the traditional Chinese poetry. Therefore, the gelunder naturally faces the western ocean such as Britain and France Poetry seeks to learn from this situation until Lin Geng has changed. Among the many seekers of the new poet’s law, Lin Geng is undoubtedly the most diligent one. From the mid-1930s to the late 1950s, he wrote about 20 essays in the form of new poems. The discussion was both in-depth and meticulous. His exploration