本文从《营造法式》原文中抽取出三组关于装饰的基本概念,试图通过辨析与比较,探寻《营造法式》装饰思想的概念逻辑体系。论文发现,《营造法式》对建筑装饰概念的外延、源流、类型均形成了较为成熟的认识,而且对于装饰与纯艺术的分界、装饰与构造的分界,均有明确的区分。 This article extracts three sets of basic concepts of decoration from the original text of “Creating French” and attempts to explore the conceptual logic system of the “Decoration of French” decorative ideas through analysis and comparison. The paper finds that the “Creation Law” has formed a mature understanding of the extension, origin and type of the concept of architectural decoration, and it has a clear distinction between the boundaries of decoration and pure art, the boundary between decoration and construction.