诗集《烙印》,是臧克家的处女作,也是他的成名作。三十年代的中国诗坛处于两极分化的极端中,《烙印》的问世,给诗坛带来了一股端庄质朴的诗风。臧克家一登上文坛,就以现实主义标榜自己,他以清醒的现实主义直面现实,真实揭露了生活中的每一个黑暗的角落。同时臧克家十分注重与农民的联系,他的创作题材始终围绕着现实生活,关注农民的生活和精神现状,用自己的心血去表现中国最软弱最悲怜的群体。臧克家受新月派的影响,继承了闻一多的格律思想,诗歌具有中国古典诗歌的艺术美,在继承中国古典诗歌的艺术手法的同时,臧克家还积极抵探索吸收现代诗歌艺术的表现式,使他的诗歌兼具古典与现代美 Poetry “brand” is Zang Kejia’s debut, but also his fame. The Chinese poetry of the 1930s was at the extreme of polarization. The advent of “brand” brought a poignant and simple poetic style to the poetry world. As soon as Zang Kejia boarded the literary world, he advertised himself in the realism. He took sober realism to face reality and exposed every dark corner of his life. At the same time Zang Kejia attaches great importance to contact with the peasants. His creative themes always focus on the real life, pay attention to the life and spiritual status quo of the peasants and use their own efforts to represent the weakest and most depraved groups in China. Zang Kejia, influenced by the New Moon School, inherits the mentality of Wen Yiduo. His poetry has the artistic beauty of Chinese classical poetry. While inheriting the artistic techniques of Chinese classical poetry, Zang Kejia also actively reaches the expression of absorbing the art of modern poetry, Make his poetry both classic and modern beauty