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从乡土日常生活世界到城市的边界与异域,淡水河、基隆河形象的变迁,无疑是台北工业化进程所致。与之相伴相生的是,原本人与自然和谐融洽、兼具神圣和凡俗以及文化中国乡愁诸多核心要素的乡土感觉结构向以异化、疏离、扭曲乃至控诉为典型特征的都市感觉结构演替。对河流—台北—人的散文书写,既是诸种感觉结构孕育的产物,亦是台湾当代散文家对新的都市—河流生态的呼吁。
The vicissitudes of the Tamsui River and the image of the Keelung River from the daily life of the country to the boundaries and the exotic areas of the city are undoubtedly caused by the process of industrialization in Taipei. Accompanying with it is the succession of urban sensory structures characterized by alienation, alienation, distortion and even complaint as typical features of the local sensory structures that were originally harmonious with nature and both sacred and vulgar as well as the core elements of Chinese nostalgia. The writing of the river-Taipei-man’s prose is not only a product of various sensory structures, but also an appeal by contemporary Taiwanese etiologists to the new urban-river ecology.