在金秋十月举办的第九届武汉盆景展会上,有两件引入注目的作品,即:武汉市参加第八届中国盆景展览获银奖作品《向上》,作者刘永辉;第九届武汉市盆景展获金奖作品《旷野醉归图》,作者:刘春宝。两件作品均取材于一本多干的对节白蜡。但作者采用了不同的创作手法精心制作,前者以象征意义的写意手法,在静中求动;后者为则借物拟人的抒情手法,动感中传神。令观赏者拍案叫绝:原来,盆景是可以这样做的!作品《向上》系直干式丛林,作者所表达的不是景深林茂,小鸟天堂,而是有意识的避开传统的树分四歧,平枝下垂的技法,遵循树木自然生长的规律,在静中求动,繁中求简,采取截干蓄枝的手法,使枝条在出枝点位向上延 At the 9th Wuhan Bonsai Exhibition held in the autumn of October, there are two works that attract attention, namely: Wuhan City participated in the eighth China Bonsai Exhibition won Silver Prize “Upward”, by Liu Yonghui; the 9th Wuhan City Bonsai Exhibition of works Gold Award “wilderness drunk under the map”, author: Liu Chun Bao. Both pieces are based on an extra-corolla wax. However, the author uses different creative techniques to elaborate. The former uses symbolic and freehand gestures to seek action in silence. The latter uses the lyrical technique of anthropomorphic anthropomorphism to convey his feelings. So that viewers beat the case: the original, bonsai is possible to do! Works “up” is straight-dry jungle, the author is not expressed by Lin Mao, bird paradise, but consciously avoid the traditional four points , Flat branches drooping technique, follow the law of natural growth of trees, in the static seeking action, Jane seek simplicity, to take the truncated stems branches, so that branches in the branch point upward delay