河南摄影家于德水的拍摄着重于民间生活的日常性和民间生活的价值系统。他的画面充满着丰赡的人性。他的照片中没有惊悸、躁动、惨烈、暴力,他从来不在照片中制造视觉惶恐。艺术中的“高蹈”在他中后期的作品中也是找不到的。真正撼动人的是生活本身。他像孙犁的《铁木前传》一样,平静地向你贡献着一个普通的乡村故事。一个农民寒伧、困顿、忧戚、沐雨栉风的生活比道德谱系中善与恶、美与丑的思辨更能净化人。于德水的作品还有种凝重性。在静止的动感中,鲜活的生命成了生命的化石。那一刻,就在那一刻,容涵的东西很多:勤勉、耐劳,必得汗流满面方能糊口为生的 The shooting of Henan photographer Yu Deshui focused on the daily life of folk life and the value system of folk life. His picture is full of abundant humanity. There was no fright, agitation, fierceness or violence in his photographs. He never made any visual scares in the pictures. In the art, “Gao Dao ” can not be found in his later works. What really shakes people is life itself. Like Sun Li’s “Temujin”, he quietly contributes to you an ordinary country story. A peasant chilling, sleepy, worrying, muffler’s life is better than the ethics of good and evil, speculation of beauty and ugliness more purification. There is another kind of dignifiedness in Yu Deshui’s works. In still motion, living life becomes the fossil of life. At that moment, at that moment, Rong Han had a lot of things: hardworking, hardworking, and sweat, to make a living