寇谦之与陆修静是道乐形成期的领军人物 ,音乐学术界历来对其历史评价持“重寇轻陆”论。本文基于相关史料的深入分析 ,从史的角度及斋仪、音乐、历史传承等方面对寇陆的音乐改革活动作了比较和述评 ,由此得出“重陆轻寇”的相反结论 ,将颠倒的认识再颠倒过来。此结论不仅更切合南北朝道乐的史实 ,且与道乐历史全程所贯穿的“南盛于北、延续发展”之规律相吻合。 Kou Qian and Lu Xiu Jing are the leading figures in the formative period of the music. The music academia has always held “heavy criticism and light criticism” on its historical evaluation. Based on the in-depth analysis of relevant historical materials, this article compares and comments on Kou Lu’s music reform activities from the aspects of history, music, music and historical inheritance, and draws the opposite conclusion of “heavy Lu Kou Kou” Turn upside down again understanding. This conclusion is not only more in line with the historical facts of the Southern and Northern Dynasties Daoguang, but also coincides with the law of “Nan Sheng in the North and Continued Development” permeated throughout the history of Daoli.