论文部分内容阅读
本论文以傅抱石提出的“三结合”为研究对象,探究这一理论诞生的时代背景以及“三结合”的理论阐释。并将之与“江苏中国画展览会”相结合,分析它在实际创作过程中的可操作性和指导意义以凸显它的理论价值。同时将这一理论放在历史发展的过程中去考察,特别是以这一理论为指导的艺术创作中去分析其演变过程,从而客观地对之作出历史评价。
This thesis takes Fu Baoshi’s “triple combination ” as the research object, explores the background of the birth of this theory and the theoretical explanation of “triple combination ”. And it is combined with “Jiangsu Chinese Painting Exhibition ”, analyze its maneuverability and guiding significance in the actual creative process to highlight its theoretical value. At the same time, this theory should be placed in the process of historical development to examine, especially in the artistic creation guided by this theory, to analyze its evolution process and objectively make a historical assessment of it.