编辑戈登·利什删改卡佛的小说,以《当我们谈论爱情,我们在谈论什么》为题出版,创造了卡佛极简主义,同时也就创造了“当我们谈论……我们在谈论……”的题目模式。我们这回谈论小说,常常跑题,所以我们也就借用这个模式:当我们谈论小说,我们在谈论什么?我们跑题,首先是谈了电影。电影只有一百多年,很多电影还是小说改编的,所有改编小说的艺术,只有电影和小说最贴近,电影最容易让人想起小说,而小说也最容易让人想起电影。当我们回忆 Editing Gordon Lishch’s Coca-Cola novel to “publish as we talk about love, what are we talking about”, creating a Kavo minimalism while also creating “When we talk about ... we are at Talk about ... ”topic mode. We talk about fiction this time, and we often run into problems. Therefore, we also borrow this model: When we talk about fiction, what are we talking about? Only a hundred years movie, a lot of movies or novel adapted, all the art of adaptation of the novel, only the closest movie and novels, the movie is most likely to remind the novel, and the novel most likely to make people think of the movie. When we recall