中央美院郑岩教授与哈佛大学汪悦进教授合著的《庵上坊:口述、文字、图像》(下简称《庵上坊》)出版之后,引发读者热议,反响不小。《庵上坊》一书的精彩与新意并不是因为他研究了一个无人问津的对象。该书的讨论是围绕着一座清代道光年间修建于今山东省安丘市庵上镇政府所在地庵上村的青石牌坊——王氏节孝坊展开的。这座牌坊就其建筑与雕刻的过程和形制、功能及其背后流传的故事本身相较于修建于明清的成百座节孝牌坊而言,其实没有多少奇特之处,与之风格相近或相似的牌坊在山东其它地区以及安徽、四川等地都有不少,而关于贞女、节女的动人故事也在许多地方围绕着相应的牌坊流传。因此,从材料本身 After the publication of “Ancestral Place: Oral, Text, Images” (hereinafter referred to as “Ancestral Place”) co-authored by Professor Zheng Yan at the Central Academy of Fine Arts and Professor Wang Yuejin at Harvard University, the issue attracted a lot of repercussions. The novel and novelty of “Um Shang Fong” is not because he has studied a subject that nobody cares about. The book’s discussion revolved around the opening of the Qingshi arch, the Wang’s Festival, during the Daoguang period of Qing Dynasty, the Qingshi arch, built on the site of the Anmüng town government in Anqiu City, Shandong Province. This archway is not much of a peculiarly stranger to the process and shape of its architecture and sculpture, its function and the story itself circulating behind it, Similar arches in other parts of Shandong and Anhui, Sichuan and other places there are many, and about the virgin, female section of the touching story is also circulated in many places around the corresponding arch. So from the material itself