上世纪80年代中后期,随着改革开放、国门打开,西方现代主义艺术大量涌入,中国的“前卫艺术”快速兴起,一些青年学生和青年画家,不了解艺术的历史和本质,违背国情民意,盲目追捧西方现代派,玩闹艺术泛滥,丑艺术、邪艺术乘机而入,写实绘画受到冲击质疑,甚至被视为“保守”、“落后”的同义词。写实绘画何去何从、有无前途?大家都在思考。正是在这样 In the mid and late 1980s, with the reform and opening up, the opening of the country, and the influx of Western modernist art, the rise of the “avant-garde art” in China has rapidly risen. Some young students and young painters do not understand the history and nature of art, National conditions and public opinion, the blind pursuit of Western modernism, playing rampant art flooding, ugly art, evil art took the opportunity to enter, realistic paintings are challenged, and even be regarded as “conservative ”, “backward ” synonym. Where are the realistic paintings and realistic future? Everyone is thinking. It is in this way