音乐实践无外乎音乐创作与音乐表演两部分。音乐家往往并非单纯运用技巧去表现音乐的结构,形式及内容,而是把自己置身于社会与时代当中,他们所从事的一切音乐实践都与自身所处的环境密切相关。应该说,有什么样的音乐思想,就会产生与之相对应的音乐表现形式。正如音乐美学中所提到的音乐存在方式“三要素”:形态、意识(观念)、行为,三者之间相互作用,相互制约。在不同的文化背景下的不同音乐形态、风格的差别,与观念有着直接的关系。例 Music practice is nothing less than music creation and music performance in two parts. Instead of simply using techniques to express the structure, form and content of music, musicians tend to place themselves in the society and the times. All their musical practices are closely related to their own environment. It should be said that there is what kind of music thinking, it will produce the corresponding musical expression. Just as the “three elements” of music existence mentioned in music aesthetics: form, consciousness (concept), behavior, the three interact and restrict each other. Different musical forms and styles in different cultural backgrounds have direct relations with the concept. example