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一个民间故事中典型情节的产生与发展,总有一定的社会文化思想依据。《梁山伯与祝英台》故事中的一些故事情节都是当时社会思想的集中反映。祝英台女扮男装求学,是女性要求平等权利的体现;马文才与祝英台的婚配是封建门阀观念的反映,是传统“门当户对”婚恋观影响下产生的不幸悲剧;哭祭跳墓,则是女性备受婚姻礼教迫害,愤然而起打破世俗婚丧礼仪的一种壮举;合冢化蝶则是人民群众对梁祝悲剧异想天开地争取胜利的幻想,对自由爱情婚姻的理想追求。本文将对以上几个情节进行重点剖析,来揭示其背后所蕴含的社会文化思想内涵。
The emergence and development of the typical plot in a folk story always have some social and cultural ideas. Some stories and plots in the story of Liang Shanbo and Zhu Yingtai are the concentrated reflection of the social thoughts at that time. Zhu Yingtai disguised as a man to study, women are the embodiment of the right to equality; Ma Wencai and Zhu Yingtai marriage is the reflection of the feudal concept of the door is the traditional “matchmaking” concept of marriage under the influence of the unfortunate tragedy; Tomb, is the female persecution of marriage and marriage, angrily broke the secular marriage and funeral ceremonies of a feat; Sibutra Butterflies is the people of the tragedy of Liang Zhu fantastic victory for the fantasy of the ideal pursuit of free love and marriage. This article will focus on the above analysis of several episodes to reveal the implications behind the social and cultural connotation.