“跨界”一词,最近几年出现的频率非常之高。动不动我们就会听到周围某某人士跨界了,或是画家客串做了演员,或是诗人开始画画,或是歌手写起小说,或是演员从事艺术设计……仿佛一时间又回到了艺术通感的时代,许多人都成了文艺全才。这当然是今天素质教育的成果,也与后现代理论提倡的“人人都是艺术家”有些关系。但抛开这些理论背景和个人才华,多数人的跨界行为还是由于利益驱使。这就像集团公 The word “cross-border” has been very high in recent years. Every now and then we will hear people around a cross-border, or the painter guest actress, or the poet began to paint, or write a novelist singer, or an actor in the art design ... ... as if for a time back In the era of artistic synaesthesia, many people have become literary all-rounder. This is of course the result of today’s quality education and also some of the relations advocated by postmodern theory that “everyone is an artist.” However, aside from these theoretical backgrounds and personal talents, the cross-border behavior of the majority is driven by profit. This is like a group company