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中国花鸟画独立成科于唐代,滥觞于五代,登峰造极于两宋。纵观这段时间中国绘画的发展,写实是绘画的主体,是体现于宏观的视觉印象;写意性是潜流,是体现于微观的人文精神,古典工笔花鸟画的写实性无不是建立在这种精神之上的。可以说,中国工笔花鸟画的写实,是一种基于写意性精神之上的东方绘画的写意性写实。
Chinese flower and bird painting independently became a branch in the Tang Dynasty, beginning in the Five Dynasties, Dengfeng made two Song. Throughout this period of development of Chinese painting, realistic painting is the main body of painting, is reflected in the macro visual impression; freehand writing is the underlying flow, is reflected in the micro-human spirit, the realism of the classic art of birds and flowers are built on this Above the spirit It can be said that the realistic Chinese flower and bird painting is a kind of freehand realistic writing based on the oriental painting based on the freehand spirit.