著名越剧表演艺术家表雪芬说过:“越剧有两个奶娘,昆曲与话剧。”一个孩子吃谁的奶就会像谁,这是基因的巨大力量使然。越剧正因为有这两个奶娘哺育,就必然决定了越剧艺术呈现多元交织和无限可能的内在潜质。这一基因潜质不仅在越剧已逝去的前一个百年史中被一再证明,并还将在新一个百年征程中被继续开发与光大,——跟前就有一活生生实例:那就是浙江越剧团国家一级演员廖琪瑛经十 The famous Yue opera performance artist chen Xuefen said: “Yue opera has two nuns, Kunqu opera and drama.” Who would like a child to eat milk, this is the enormous power of the gene. Because of the nurturing of these two daughters, Shaoxing opera surely determines the inherent potential of interwoven and infinite possibilities of Yue opera. The potential of this gene has not only been repeatedly proved in the centennial history of Shaoxing Opera, but also continued to be developed in the next century-long journey. Ever since there was a living example: Zhejiang Yue Opera Troupe at the national level Actor Liao Qi Ying by ten