论文部分内容阅读
《罗生门》在对一桩杀人案的多角度叙述中表现了人们为了生存而篡夺真相并自欺欺人的行为。案中人从有利于自己的角度出发对真相进行不同程度修改以适应社会规范,并彰显自己个性中的人格光辉,而其黑暗面则由他人叙述体现。黑泽明电影镜头对烈日和阴影的表现强化了这种人性中的矛盾对立面,体现了现代社会中人格的分裂。接受人性的不完美并择善而从之维护了人与人之间的信赖,也体现了黑泽明对人类德行的信心。
Rashomon, in a multi-angle narration of a murder case, shows people’s behavior of usurping the truth and deceiving themselves in order to survive. From the perspective of being good to themselves, the casemen make various changes to the truth to adapt to social norms and demonstrate the glorious personality in their own personality, while the dark side is illustrated by others. The manifestation of the Kuroshitsuji cinema against the scorching sun and the shadows reinforces this contradiction in humanity and embodies the split of personality in modern society. To accept the imperfection and goodness of humanity and to maintain the trust between people and also reflect Kurosawa’s faith in human virtue.