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本文通过对晚清岭南花鸟画坛巨擘居巢、居廉在金石收藏、篆刻实践和印学交游等方面的钩沉与考察,一窥乾嘉以降,由外贸所带来岭南经济的勃兴,促使公私金石书画收藏的繁盛、篆刻艺术的崛起与积淀;并从其时游粤宦仕、印人与岭南文人群体金石交流的路径与状况,进一步探讨“浙派”印风对岭南篆刻的影响与融会,从而论述岭南篆刻风格生成与发展之流变。
This article through to the late Qing Dynasty flower and bird painting giant Juchaoju, Ju Lian in the stone collection, seal cutting practice and study tours and other aspects of the investigation and study, a glimpse of Ganghua down, brought by the foreign trade Lingnan economy boom, prompting public and private gold stone The rise and accumulation of the art of calligraphy and painting, the rise and accumulation of the art of seal cutting; and from the path and status of the exchange of stone and stone between the group of Indian and Lingnan literati at that time, and further discuss the influence and integration of the “Zhejiang school” style on Lingnan carving and thus Discusses the Evolution of Lingnan Seal Style Generation and Development.