当我们面对任何一个文本希冀对其图解之时,很显然,文本随即成为诱惑我们的对象,而图解则成为满足诱惑的行径之一,继而产生的则是一种图解的愉悦。在文本带给图解者愉悦的同时,文本亦得到升华,获得与其原初相比更深入,甚而是完全不同的印象。这一点在电影文本中彰显得更为直接。 When we confront any piece of text in the hope of illustrating it, it is clear that the text then becomes the object of temptation to us, and the diagram becomes one of the ways to satisfy the temptation, followed by a delightful illustration. As the text is pleasing to the graphic artist, the text is also sublimated, gaining a more in-depth and even completely different impression than its original counterpart. This is more direct in the movie text.