中国古典园林历来注重山水景观的营造,通过叠山理水营造出诗情画意的园林是古代造园者对美孜孜不倦的追求。在大自然中水是万物之源,流动且富有生机,美景的主角之一;山是自然的雕塑,历代造园者游历名山大川而园林艺术中将自然山水借入园林这个“城市山林”中使得二者在其千百年的发展中相互渗透,相互补充和影响,它们已经具有相通之处,且兼顾观赏价值和使用价值。中国古典园林和山水画有着密不可分的关系,从画卷中笔者能感受到通过自然景色含蓄的表达作者的思想,在古典园林中有真实的写照。在此次学习中为了继承和探索山与水的运用方法,和如何对待传统园林的态度是此次课题探索的最终目的。对于叠山理水的研究看似简单研究后才发现别有洞天,其中内向与外向,虚与实、藏与露的手法运用尤其精妙,值得后人进行学习。 Chinese classical gardens have always paid attention to the creation of landscapes. Through the accumulation of water and landscapes, the gardening of the poetic landscape is the tireless pursuit of the ancient gardeners in the United States. In the nature water is the source of all things, flowing and full of vitality, one of the beauty of the protagonist; the mountain is a natural sculpture, landscape gardeners traveled the ancient mountains and rivers and garden art will be natural landscapes borrowed from the garden “the city of mountains and forests” Making them mutually permeated, mutually reinforcing and influencing in their centuries-long development. They have already had similarities and have both ornamental value and use value. Chinese classical landscape and landscape painting are inextricably linked, from the picture I can feel subtle expression of the author’s thoughts through the natural scenery, there is a true portrayal in the classical garden. In this study, in order to inherit and explore the method of using mountain and water, and how to treat the attitude of traditional gardens is the ultimate goal of this exploration. The research on the Dieshan Rishui seems simple and profound. The introversion and extroversion, the virtual and the real, the use of the possession and dew are especially exquisite, and it is worth studying later.