铺纸挥毫意容从,笔歌墨舞韵无穷。点画本是出古字,寻尽源头不见宗。当观书家挥毫,其一挥而就的娴熟、从容不迫的神态,“看似平常却奇崛,成如容易却艰辛。”而出贴创作、是否有不枯的生命力还要看其是否有独特之风格。“出帖”,是习书者进入由博返约,重意趣,化他神为我神,由熟求生,自出新意,辟蹊径、创风格的“创作”阶段。“入帖临习”是学传统的手段,“出帖创作”才是最终目的。费新我曾喻:“‘入帖’好比是既入虎穴,又得虎子;‘出帖’是得了虎子,还退出虎穴。有人到了虎穴,不敢进去;有人进了虎穴,不知捉拿虎子;还有人抱了虎子,以为达到了目的,不知退出虎 Tailored to brush the paper, pen ink ink infinite rhyme. This picture is a paleontology, find the source but not seen. When the calligrapher wields, his swirling skilled, calm calm demeanor, “seemingly ordinary but surprisingly, as easy but hard.” And paste the creation, whether or not the unpredictable vitality depends on whether it has a unique Style. “Post” is a book writer into the return by the Bo, heavy interest, his god as my God, by cooked to life, from a new idea, opening up new ways, creating a style of “creative” stage. “Into the post practice” is to learn the traditional means, “post writing” is the ultimate goal. Feixin I have Yu said: "’into the post’ is like both into the tiger, but also get the tiger; ’post’ is got the tiger, but also exit the tiger hole. Someone to the tiger’s hole, afraid to go in; someone into the tiger’s hole, I do not know to catch Tiger; others hold the tiger, thought to achieve the goal, I do not know to withdraw from the tiger