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雕塑与绘画建筑一样,为适应与提升观赏者的审美需求而存在。人们对雕塑或非雕塑的观赏是对特定对象美的发现与创造。观赏者对雕塑是否感到耐看,即是基于某些雕塑的美,也是基于人们对它那审美特点的感知。主体的审美需求和审美对象的关系,既相互对立又相互依存。观赏者的特殊心态影响他对雕塑作出耐看或乏味的判断。雕塑形象的耐看效应,主要是以美的艺术方式反映事物的矛盾,体现在雕塑品里的趣味的高低,影响观众的情操和品质的形成。发展与变化。
Like the architecture of sculpture, sculpture exists to adapt and enhance the aesthetic needs of viewers. People’s appreciation of sculpture or non-sculpture is the discovery and creation of the beauty of a particular object. Whether or not the viewer is resistant to the sculptures is based on the beauty of certain sculptures and on the perception of its aesthetic features. The aesthetic needs of the subject and the relationship between the aesthetic object, both antagonistic and interdependent. The special mentality of the viewer influenced him to make a judgmental or boring judgment on the sculpture. The good-looking effect of the sculpture image mainly reflects the contradiction of things in the artistic way of the United States, the taste of the sculpture, and the formation of the audience’s sentiment and quality. Development and change.